9. Mallika Sherawat Last year, if you'd tell an industry power-monger that Mallika Sherawat would slip this low down the list, he'd laugh in your face. But times they are a changing, and in the era of the cleavage-friendly music video, this statuesque woman isn't as special as she once was. Bit roles, item-dances, and movies with indie actors no one will watch -- Madame Mallika's still a headline, but she's fading fast.
She
entranced audiences with her eyes in Parineeta, one of those film
debuts that showed undoubted spark. And while she might not have done
anything at all since then, the lass features in the one upcoming film
whose trailer made the country break into a wider grin than anything
else this year -- bole to, if she's good enough for Munna, she's good
enough for us.
Now
this one's the exception -- abs as flat as a pricey Korean television,
an indulgent grin, and acting skills. Bips initially captured our
imaginations as a voluptuous temptress who could (barely, it must be
said) pull off a swimsuit. Acting was not her thing at all, the girl
being dubbed in almost every film.
She
might not have delivered on the Kabhi Khushi Kabhie Gham potential and
turned up as Bollywood's bonafide Number One yet, but Kareena seems to
be doing her own thing, her way. She has a steady boyfriend (a Bollywood
accomplishment of Herculean standards) in Shahid Kapoor, a bunch of hit
films, and most top directors would kill to cast her in their next. And
Omkara made each and every one of us fall in love with this fair girl
trying to sing Stevie Wonder. Sigh.
In
terms of visibility, Ms Z is down to almost one film a year. 2004 had
Veer-Zaara (Lakshya doesn't count, does it), 2005 had Salaam Namaste
(and a random disaster, you get the drift). This year, however has been
good for Preity. She makes a blink-and-miss special appearance in the
year's biggest film so far, Krrish, and while her screentime in Karan
Johar's mammoth Kabhi Alvida Naa Kehna might not be much more, she's one
of the few to escape all the critical rants. And the upcoming
Jaan-E-Man pits her with ever-hot hunks Akshay Kumar and Salman Khan.
India
almost wept when Kajol waved bye to Bollywood, prioritising her family
with hubby Ajay Devgan. Madhuri Dixit's successor as the female film
icon of India, Bollywood without Kajol was a depressing prospect. Five
years on, and she comes back with Fanaa. An absurd film with a
ridiculous plot, and a leading man looking older than ever. Ask the
audience why they queued up for it, and the answer would be to see this
woman smile. Kajol's back, and India's thrilled to bits.
Aishwarya
Rai transcends mere numbers. If you were to actually tally her last
dozen films, and not count her item-song in Bunty Aur Babli, then you'd
see that none of her films have made a profit since 2002's Devdas. But
all that's unimportant in the flashbulb-friendly world of the red
carpet, isn't it? Ash is all about the 'concept' of an actress, the idea
of a pretty woman with an exotic, unheard-of accent working the cameras
at Cannes. She's perfect, even without movies. And with Dhoom 2 barely 2
months away, she isn't going anywhere.
2. Priyanka Chopra
2. Priyanka Chopra
This
24-year-old girl is the copybook success story. She spent the requisite
gym-hours, became Miss World and entered Bollywood. Where she actually
slogged it out and earned herself the applause. She didn't start with
big banners, but worked her way up, consistently getting herself
noticed. Today, she's the pick of the glamour brigade, an extremely
desirable pin-up babe who is a definite performer. And if you think
Krrish sold her short, hold your horses for Don. This babe's here to
stay.
1. Rani Mukerji If there can be a point of unanimity during any banal Bollywood discussion about numbers and ranks -- in an industry that trades loyalties every Friday -- it is simply this: Rani rules. It's come to the point where everybody loves Rani. The film might be a painfully over-indulgent director tripping on shadows, but Rani is good. It might be exaggerated farce written very poorly indeed, but Rani is good. Be it a historical gone wrong or a melodramatic letdown, the truth is clear -- Rani is good. She's a director's actress, and she's worked very hard indeed to solidify her position. Today, Rani Mukerji is reason enough to stand in line to buy tickets for a film -- an amazing feat in an overwhelmingly male dominated industry. This year has already seen her in Karan Johar's KANK. Ravi Chopra's Baabul and Sanjay Leela Bhansali's Saawariya are waiting in the wings.
1. Rani Mukerji If there can be a point of unanimity during any banal Bollywood discussion about numbers and ranks -- in an industry that trades loyalties every Friday -- it is simply this: Rani rules. It's come to the point where everybody loves Rani. The film might be a painfully over-indulgent director tripping on shadows, but Rani is good. It might be exaggerated farce written very poorly indeed, but Rani is good. Be it a historical gone wrong or a melodramatic letdown, the truth is clear -- Rani is good. She's a director's actress, and she's worked very hard indeed to solidify her position. Today, Rani Mukerji is reason enough to stand in line to buy tickets for a film -- an amazing feat in an overwhelmingly male dominated industry. This year has already seen her in Karan Johar's KANK. Ravi Chopra's Baabul and Sanjay Leela Bhansali's Saawariya are waiting in the wings.
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